“You will bring them in and plant them on the mountain of your possession; Lord, you have prepared the place for your dwelling; Lord, your hands have established the sanctuary. The Lord will reign forever and ever! When Pharaoh’s horses with his chariots and horsemen went into the sea, the Lord brought water of the sea back over them. But the Israelites walked through the sea on dry ground. Then the prophetess Miriam, Aaron’s sister, took a tambourine in her hand, and all the women came out following her with tambourines and dancing. Miriam sang to them: Sing to the Lord, for he is highly exalted; he has thrown the horse and its rider into the sea.” (CSB – Read the chapter)
One of the clearest indicators that God was the ultimate author of all the Scriptures via the inspiration of His Holy Spirit is the sheer number of times and places where one part makes reference to another part. Backward-looking references are certainly easy to explain. The later authors simply had to be familiar (very familiar sometimes) with the earlier documents. Forward-looking references (prophecy), though, are harder to understand apart from two things: God’s inspiration, or a much later authorship of some parts of it than we think. In this final part of Moses’ song of praise (whose exact ending point in the text isn’t totally clear), we see an example of this. Let’s talk about this last stanza, what follows, and what we can learn from this whole thing.
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The Nexus 